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Growth
Acrylic on canvas, folded, cut, stitched, and stretched over wooden stretchers.
16 × 12 in | 40,6 × 30,5 cm
Availability
This painting is available for purchase online on Artsy and for in-person viewing in New York via Garvey | Simon Gallery.
Details
The background
presents sinuous red marker lines snaking across the canvas above sprayed green and yellow, adding a layer of intrigue and suggesting movement or pathways. Scattered black marker dots punctuate the composition, creating a sense of depth and tension.
The fold
The exposed seams become an integral part of the artwork, adding texture and highlighting the artist’s connection to the materials..
The cut
The vibrant composition bursts with energy, dominated by bold shades of green, orange, and yellow. Organic shapes dance across the surface, their edges hinting at the artist’s manipulation of the fabric. The fiery orange evokes a sense of warmth and dynamism, while the yellow adds a touch of playfulness.
Featured in
GALLERY EXHIBITION
Julien Gardair and Melanie Vote
20 March – 4 May 2024
DFN Project, New York
DFN Project, New York
The exhibition offers an intimate exploration of works by artists Julien Gardair and Melanie Vote, who beyond their individual artistic pursuits, share a bond as a married couple.
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Growth
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The painting cutout series combines the materiality of Support/Surfaces with the exuberance of Pattern and Decoration while sharing the radical constraints of Minimal Art.
The works are ambiguous and simultaneously political statements, bold paintings, decorative ornamentations, textile, and craft works.
They are tactile and abstract while including sometimes represented subjects.
A double-sided painting is folded, cut, unfolded twice, then stitched to another.
The folds expose what lies behind them. The stitches are a visible and healing way to assemble the parts, inviting the possibility of restoring the painting to its original state.
The series explores the interaction of these surfaces. It creates a trustworthy space where nothing gets discarded or forgotten.
By utilizing every part, I aim to make more with less and reconcile the apparent contradictions between positive and negative shapes, figuration and abstraction, freedom and constraints, one and another, past, present, and future.
The cuts follow a sustainable system that generates zero waste in a continuous piece.